
![[ENG DUB] Divorced Today, Married Again in Another World](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Emily Silva and Julian Ford sign their divorce papers and somehow end up in ancient famine-era by nightfall, suddenly parents to two children they've never met. Stranded and responsible, they discover they're bound to a system that lets them sell antiques for coins to buy food as a lifeline in a starving village. With no way home and survival demanding cooperation,they shelve the divorce. What starts as pragmatic partnership slowly becomes something neither of them planned: a real marriage, a real family, and a life they didn't know they wanted until they were living it.
![[ENG DUB] Apocalypse Romance System: Season 2](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
When the apocalypse hit, and 90% of humanity turned into zombies,I, Oliver Burton, accidentally activated the Romance System. To my surprise, it didn't just apply to humans, and I ended up bound to Emily, a beautiful zombie girl. By feeding her raw meat, I slowly gained affection points. Things got complicated when my treacherous neighbors, Jack and Katie, demanded food. I saw through their plans and refused. A conflict brewed as they plotted a raid, but I was already one step ahead.

Zoey Shaw wakes up inside a novel as the infamous villainess doomed to a tragic end.Refusing to follow the same path, she decides to rewrite her fate—no self-destruction, no foolish choices, just survival and a new beginning. When a shameless ex and a scheming rival show up to cause trouble, she’s ready. This time, she protects her husband, claims her happiness, and crushes every plot against her. She clears her family’s name and rises from ruin to glory.

My daughter, Ruby Pratt, has leukemia. She needs a bone marrow transplant—and fast. Out of everyone in the family, my husband, Dan Pratt, was the only match. I begged him for an entire month before he finally agreed to go through with the donation. But on the morning of the surgery, he went completely off the grid. I stood outside the hospital all day, waiting. No calls. No texts. Not even a shadow. That night, his childhood friend, Valerie Kinder, posted on Instagram. In the photo, Dan was holding Valerie's hand with one arm and carrying her young son with the other—on a beach in Lulabo City. The caption read: [Soaking up the sun! Dan cleared his whole schedule to join us on a month-long trek and we finally made it to the coast! My little boy said Uncle Dan made his ocean dream come true. Pure joy!] My heart splintered. While I was drowning in worry over my daughter, he was off playing happy family with them. I wiped my tears and typed a comment beneath her post: [Not 'Uncle.' From now on, he's your son's father.] That night, I finally got a call from him. "Babe, don't be like this," Dan said. "You're not being fair. "Valerie's son has been bullied at school for not having a dad. I couldn't stand seeing him hurt, so I took them on this trip. It was supposed to help him heal. "I'll catch the first flight back tomorrow and head straight to the hospital to donate the marrow. I promise." I hung up with a bitter smile. The next morning, Dan rushed into the hospital room. But all he found on the bed was a death certificate.

Emily Porter, an ordinary housewife, finds herself shunned by her mother-in-law for giving birth to a daughter instead of a son. Her husband, Joe Baker, driven by greed for a hefty insurance payout, conspires with his lover to murder Emily. In a calculated move, Joe stages a car accident that leaves Emily in a vegetative state. In a shocking turn of events, he goes as far as to bury his comatose wife alive, only to rush off to marry his mistress moments later. But fate has a twist in store, as Emily awakens, ready to seek justice and reclaim her life.

Jackson Tiller and Emily Gateley break down the chaos of filming the viral show "Uncle Richard Is My Baby Daddy," sharing behind-the-scenes stories, on-set chemistry, and the wild ride of acting for vertical TV. Raw, funny, and unfiltered—this is where drama meets real talk.