

My daughter, Ruby Pratt, has leukemia. She needs a bone marrow transplant—and fast. Out of everyone in the family, my husband, Dan Pratt, was the only match. I begged him for an entire month before he finally agreed to go through with the donation. But on the morning of the surgery, he went completely off the grid. I stood outside the hospital all day, waiting. No calls. No texts. Not even a shadow. That night, his childhood friend, Valerie Kinder, posted on Instagram. In the photo, Dan was holding Valerie's hand with one arm and carrying her young son with the other—on a beach in Lulabo City. The caption read: [Soaking up the sun! Dan cleared his whole schedule to join us on a month-long trek and we finally made it to the coast! My little boy said Uncle Dan made his ocean dream come true. Pure joy!] My heart splintered. While I was drowning in worry over my daughter, he was off playing happy family with them. I wiped my tears and typed a comment beneath her post: [Not 'Uncle.' From now on, he's your son's father.] That night, I finally got a call from him. "Babe, don't be like this," Dan said. "You're not being fair. "Valerie's son has been bullied at school for not having a dad. I couldn't stand seeing him hurt, so I took them on this trip. It was supposed to help him heal. "I'll catch the first flight back tomorrow and head straight to the hospital to donate the marrow. I promise." I hung up with a bitter smile. The next morning, Dan rushed into the hospital room. But all he found on the bed was a death certificate.

Jodie Walsh finds herself transmigrated into a romance novel as the ex-wife who got screwed over. The original character spent five years in an arranged marriage with a CEO tyrant, giving him everything—money, property, her whole heart—only to end up with her family destroyed and herself behind bars. And it gets worse. Her parents, best friend, childhood friends, and basically everyone connected to her was just cannon fodder in the story. Well, time for Jodie to roll up her sleeves and rewrite this mess. Mr. Hotshot CEO? She's going to see how mighty he is after bankruptcy. The pure, innocent female lead? Honey, let's add some darkness to that light. Her parents jumping to their deaths? Not in her version. They'll be doing the disco on her ex-mother-in-law's grave instead. Her bestie killed by her abusive husband? Hmm... such a "wonderful" husband. Let's save him for the female lead's bestie. Her broke aristocratic childhood friends? Here, one business opportunity each, and boom, instant CEOs, easy peasy. And the supposed villain? With that face and those abs? No one's going to object to him being the male protagonist. What's that? You're asking what makes her so badass? Jodie beckons to the mafia boss. "Babe, you tell them." "Simple." Mafia boss grins. "She's the boss lady."

In my previous life, I was adopted by a regular family. My younger sister, Regina Capasso, was taken in by a mafia Don, resulting in her becoming the principessa of Etalia's most powerful mafia family. Unexpectedly, Regina is cast out by the Don in her third year of getting adopted. She was forced to roam the streets as a homeless person till the day she died a terrible death. I, on the other hand, got into a prestigious university thanks to my good grades. Then, I furthered my studies with my adoptive older brother, Dario Bivona. With hard work, I eventually became the rising star of the AI industry who was sought out by all. With my adoptive parents' blessings, Dario and I ended up getting married and having our own children. My life was filled with peace and happiness. After we're given a second chance at the same life, Regina makes an entirely different decision. She rushes into Dario's arms and starts calling him by his name sweetly. Then, she takes my ex-parents' hands while gazing at me gloatingly. ""You should have a taste of what it feels like to be a principessa, Livia. I seriously can't endure another second in that cruel, unforgiving family!"" I look at Dario expectantly, hoping that he'll say something in my defense. But he shields Regina behind him while glaring at me icily. ""Stay away from my sister."" In the end, I slowly make my way toward the Rolls-Royce as Regina continues to look at me smugly.

Anne Cooke is about to get married when she discovers her fiance has been cheating. With her mother gravely ill and five years of love too heavy to just drop, she swallows it, until the sleeplessness becomes unbearable and she wanders into a traditional medicine clinic. There she meets James Young,and something shifts. On impulse she propositions him. Just one night. What she doesn't know is that James already knows exactly who she is, and has quietly decided to help her find her way back to herself. Through carefully prescribed remedies and steadier conversations, he walks beside her as she slowly remembers she has a spine. On her wedding day, she exposes her fiance in front of everyone and walks away with her head up. By then the feelings between Anne and James have long stopped being subtle, and the revelation that he comes from money and that his mother once knew hers feels less like a plot twist and more like something that was always going to happen. He proposes in the same clinic where they first met.

A hundred years from now, Kiera Lynn, the strongest spirit master alive, is betrayed and struck down by the four contract-bonded partners she trusted most, the people she thought would stand with her to the end. She opens her eyes again at fifteen, three hundred years in the past, her spirit core still dormant and her pockets empty, with nothing but the memory of exactly how and when each of them will turn on her. This time she means to strike first, hunting down her future enemies before they ever grow strong enough to betray her. But revenge doesn't stay simple for long. The knight she remembers as cold and rigid is, at this age, reckless, hot-blooded, and painfully sincere, practically a walking ray of sunshine. The Declan Cole she remembers as brutal is a starving, battered boy throwing himself between danger and the cub he's desperate to protect. The prophet she remembers as sharp-tongued and untouchable is instead chained half-starved at the top of a tower, forgotten by everyone. And the Wolfsbane Clan's young lord, who seems bright and easygoing on the surface, is quietly carrying a blood debt no one has ever avenged, bullied by the very people who should protect him. One by one, the enemies Kiera came back to kill turn out to be nothing like the monsters she remembers, and her carefully plotted path of vengeance starts pulling her somewhere she never expected to go.
![[ENG DUB] Sorry, I Don't Do Tragic Endings Anymore](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Zoey Shaw wakes up inside a novel as the infamous villainess doomed to a tragic end.Refusing to follow the same path, she decides to rewrite her fate—no self-destruction, no foolish choices, just survival and a new beginning. When a shameless ex and a scheming rival show up to cause trouble, she’s ready. This time, she protects her husband, claims her happiness, and crushes every plot against her. She clears her family’s name and rises from ruin to glory.

Three years ago, I drugged the mafia heir, Vincent. After that one wild night, he didn’t kill me. Instead, he fucked me until my legs went weak, gripping my waist and whispering the same word over and over: “Principessa.” Just as I was about to propose, his first love, Isabella, returned. To keep her happy, Vincent let a car hit me, had my mother’s heirlooms thrown to stray dogs, and sent me to prison… But when I was finally broken, flying to Boston to marry someone else, Vincent tore New York City apart to find me.

In her previous life, Yara gave everything to the Echosong Sect, only to be ruthlessly slain by her Master. In her final moments, she realized the cruel truth: in his eyes, she was never as good as her junior sister,Ruby. Reborn at the age of six, Yara wastes no time mourning the past. This time, she won't beg for love or stay where she's unwanted. Without a backward glance, she runs away from that place she once called home.