

Jackson Tiller and Emily Gateley break down the chaos of filming the viral show "Uncle Richard Is My Baby Daddy," sharing behind-the-scenes stories, on-set chemistry, and the wild ride of acting for vertical TV. Raw, funny, and unfiltered—this is where drama meets real talk.

At the end of the Qrento era, wars rage across the land. Josh Cohen transmigrates into a hopeless gambler—flat broke, yet with a beautiful wife and a stunning younger sister-in-law. Their home is empty, not even a scrap of food to spare. Just then, his wife, Eloise Sutton, brings a steaming bowl of porridge. “Yesterday… that was my fault. I shouldn’t have drugged you,” she says.

Just back from abroad, Thalia Prince receives a marriage certificate from her mother—tying her to a man rumored to have a terrible reputation. Determined to secure a quick divorce, she impulsively spends the night with a supposed escort, only to discover that he is actually her husband…

Sophie, a beggar girl with a dying mother, is caught stealing food, but her capture reveals a Firemark on her forehead, proof of royal blood. Guard Harvey is stunned and rushes to report it.The emperor is shocked: "She's my daughter?" But his stepdaughter Lucy is furious, publicly tormenting Sophie and her mom. Worse, Lucy's mother, Consort Winson, orders the two girls to swap faces to secure her daughter's position.Sophie, now locked away and bled as the "princess," watches the impostor call Consort Winson "Mother." Sophie's real mother breaks down: "Why is my daughter calling someone else 'Mother'?"

Rock bottom hits Elio—he comes out and has a wild night with mysterious heir James. Back at work for revenge on his bullies, everyone suddenly thinks he's the secret heir. James sticks close, pretending to be just another employee—turning up the heat with every brush of tension. Who's really in charge? And who did Elio actually sleep with that night?

In this episode of GoodChat, Evan Gambardella and Greg Duffy take us behind the scenes of their newest project, Straight Until He Kissed Me. The conversation dives into their acting journeys and the world of vertical storytelling, exploring how they each found their voice on-screen.

To defuse the bomb strapped to the hostage, I had no choice—I cut off all her clothes. My clueless new wife, Dana Poole, blasted it online. She cried as she faced me. "Why not at least leave her underwear on? You were saving her, I get it—but did you have to take everything? Doesn't a girl's dignity matter? With cameras everywhere, how is she supposed to live after this? You couldn't even cover her up?" The backlash exploded. The unit benched me to calm things down. So I stopped caring. I followed procedure, no improvising, no extra effort. Then one day, at the busiest mall in the city, Dana's mom got strapped into a brand-new linked bomb. This time, the whole unit panicked.