

Jackson Tiller and Emily Gateley break down the chaos of filming the viral show "Uncle Richard Is My Baby Daddy," sharing behind-the-scenes stories, on-set chemistry, and the wild ride of acting for vertical TV. Raw, funny, and unfiltered—this is where drama meets real talk.

My father was one of the first dons to rise out of the Naples mob. My mother was an iron-fisted businesswoman with a reputation that made grown men flinch. When I was ten, somebody had the nerve to hijack one of my father's freight ships. He had the man's arms and legs broken with a crowbar, then stuffed a handful of gold rings down his throat — told him to count his money while he crawled. When I was fifteen, some scheming woman tried to get her claws into my father. My mother hired the filthiest pimps off the docks, shipped her down to a back-alley bar in Marseille, and told her to make her own way. And me — I grew up running the streets of Naples like I owned them. The sons of every other family knew to call me Miss Ferrante and keep their hands to themselves. Then I met him. A rough, quiet man fresh out of the army. For him I put down the knives, traded the silk for plain cotton, and followed him back to that little nothing of a coastal town, Porto Scuro. Today my mother-in-law and my husband went down to the dock warehouses to settle a dispute. They held her face down in a barrel of rotting fish guts. They kicked in three of his ribs. I stared at the salt fish I'd been slicing on the kitchen board, let out a cold laugh, and brought the knife down so hard the oak split in half. Then I dialed my father's private line.