

My wife made me get a vasectomy. Not once, but ninety-nine times. Right before the hundredth operation, the doctor looked at me with pity in his eyes as the anesthesia failed to fully kick in. "Ms. Gibson really knows how to destroy a man," he murmured. "She's put him through ninety-nine vasectomies, then had them reversed—again and again. However, his body's long since broken. There's no chance of children now." "It's probably for her ex. Word is, it's his own brother. The scandals in these wealthy families—unbelievable." Because of a hospital mix-up at birth, my and Jeff Cunningham's fates were exchanged. He grew up with the Cunningham family, while I lived a poor life. Years later, my parents found the truth, taking me in and sending Jeff away. To make things worse, I became Wynnie Gibson's new fiancé. I once asked her, barely able to speak through the pain, why she would marry someone she did not love. She looked at me calmly. "To get revenge," she said. "You came home and stole Jeff's place. He was the one I love. He drank himself to death after you returned." Even my biological parents knew she was poisoning me. However, they turned a blind eye. They did nothing to stop her. They knew Wynnie had got pregnant with Jeff's child through IVF—planning to raise the child and let him inherit the family fortune. I coughed up blood and threw myself into the sea. When I opened my eyes again, I was back on the day I was first reunited with them. This time, when I saw the sorrow in their eyes—sorrow not for me, but for the son they lost— I chose to let them go.

Once an ace pilot, Juliana put her own career on hold for three years to support her husband Aaron’s dream of becoming a captain. But despite being together for three years, Aaron refused to make their marriage official, canceling their marriage registration eighteen times because of his female trainee, Kelly.After he stood her up yet again, Juliana finally gave up on him. She resigned and left for Avalonia to start a new life.Only after she disappeared did Aaron realize he had taken her love for granted until there was nothing left. Overcome with regret, he chased her all the way to Avalonia, desperate to win her back.But when he finally found her, Juliana had only one thing left to give him—a calm, final goodbye.
![[ENG DUB] Go Away, Impostors!](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Molly Stowe, a member of the Stowe family, was kidnapped and sold eighteen years ago. She was then adopted and changed her name to Susie Handley. After going through trials and tribulations, she was finally found by her uncles. Susie refused to forgive her ex-husband, Mills Chancey, and returned to the Stowe family as Ms. Stowe. To find out the truth of her kidnapping, she hid her identity and entered a company under the Stowe Group. However, her cousin Nancy Stowe posed as her and bullied her. Susie persisted in her struggle and exposed the truth. Eventually, she became the new CEO of Stowe Group and severely punished the embezzlers. Her uncles appreciated her tenacity and became more and more fond of her. In the end, the Stowe family won a happy ending.
![[ENG DUB] Horror Game Husband Gone Soft](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Toe Bean's best friend has sent her a romance game that's apparently "very popular, features a white-haired and red-eyed male lead, and allows verbal communication". So, Toe puts on a pair of smart glasses and begins her immersive journey excitedly. But thanks to an error her friend has made, Toe has actually entered an immersive horror game named "Manor of Mists". Relying solely on her desire to redecorate the manor and her misunderstanding toward romance games, Toe is able to transform the creepy manor into a cozy-looking home. Not only has she brought peace to the malicious spirits haunting the manor, but she has also converted the boss, who's supposedly a cold-hearted murder machine, into a perfect boyfriend who acts cute, knows how to cook, and is willing to travel through dimensions for her sake.

Aurora ends her three-year secret relationship with Emerson, believing it is just a transaction. She has no idea he is the mysterious best-selling author X she has always admired. When Emerson returns as the CEO of her company, he turns into her dominant boss. As they are forced to live under the same roof and uncover the truth about her father’s death, old feelings ignite again. A sudden pregnancy and family conflicts have once again pushed their love to the edge.

For three years, Rochelle loved heartless heir Kurtis, enduring his humiliation and cheating. Now, with only ten days to live, she demands a divorce and leaves three letters exposing everything: She was the girl who saved him, the artist he worshipped, and the wife he destroyed. Can his late regret bring her back?
![[ENG DUB] Dancing Toward a Love That's Gone](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Nina Grant has spent five years of marriage chasing the highest honor in dance, a promise made to Ethan Blake’s mother before she was ever truly accepted as his wife. The finish line is finally close. But the marriage that was supposed to be waiting at the end of it has gone quiet in ways Nina can’t name. Ethan is there. He is warm enough.Something essential is simply no longer present in the way he looks at her. Nina keeps dancing because stopping feels like admitting it. But the music is harder to hear over the silence between them.
![[ENG DUB] Dancing Toward a Love That's Gone](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Nina Grant has spent five years of marriage chasing the highest honor in dance, a promise made to Ethan Blake’s mother before she was ever truly accepted as his wife. The finish line is finally close. But the marriage that was supposed to be waiting at the end of it has gone quiet in ways Nina can’t name. Ethan is there. He is warm enough.Something essential is simply no longer present in the way he looks at her. Nina keeps dancing because stopping feels like admitting it. But the music is harder to hear over the silence between them.