

My father was one of the first dons to rise out of the Naples mob. My mother was an iron-fisted businesswoman with a reputation that made grown men flinch. When I was ten, somebody had the nerve to hijack one of my father's freight ships. He had the man's arms and legs broken with a crowbar, then stuffed a handful of gold rings down his throat — told him to count his money while he crawled. When I was fifteen, some scheming woman tried to get her claws into my father. My mother hired the filthiest pimps off the docks, shipped her down to a back-alley bar in Marseille, and told her to make her own way. And me — I grew up running the streets of Naples like I owned them. The sons of every other family knew to call me Miss Ferrante and keep their hands to themselves. Then I met him. A rough, quiet man fresh out of the army. For him I put down the knives, traded the silk for plain cotton, and followed him back to that little nothing of a coastal town, Porto Scuro. Today my mother-in-law and my husband went down to the dock warehouses to settle a dispute. They held her face down in a barrel of rotting fish guts. They kicked in three of his ribs. I stared at the salt fish I'd been slicing on the kitchen board, let out a cold laugh, and brought the knife down so hard the oak split in half. Then I dialed my father's private line.

I was born with a built-in fortune system. Whenever I'm happy, everyone around me makes money. To keep me in a good mood, my billionaire father takes me out on adventures every single day, showering me with limited-edition sneakers, private yacht charters, and one-of-a-kind luxury items. It all comes down to one thing: the Connolly Group's luck is tied directly to my emotional state. As long as I'm laughing hard enough to snort, the stock price climbs and the money pours in. The moment my mood tanks, the losses start. At worst, the whole thing goes bankrupt. Take last month. One of the cleaning staff accidentally tossed out half a macaron I'd left sitting on the counter, and I was mildly annoyed for about a second. The next day, the Connolly Group's West Coast division posted a hundred-million-dollar loss. Dad spent the entire night buying up ten gourmet bakeries and terminating the cleaning company's contract just to smooth things over. After that, nobody in Manhattan's upper-crust social scene dared so much as look at me sideways. That was, until Dad flew out to Los Angeles on business, and Isabella, the long-lost biological daughter who'd just been found, walked into my room. "You've been leeching off this family for years," she said, looking down at me with pure contempt. "Did you actually think draining the Connolly name dry made you the real heiress? I'm the one with Connolly blood. Now that I'm back, it's time for you to crawl out of my house." I didn't react. She picked up the black coffee sitting nearby and poured it straight onto my keyboard. I watched the screen go dark, and something hollow opened up in my chest. "Get on your knees and clean it up." I wiped the coffee off my face. The air had gone cold. The Connolly Group was about to implode, and I found myself wondering whether Dad, thousands of miles away in LA, was already reaching for his heart medication as he watched billions evaporate off the ticker.

Phoebe, heiress of Caelon's wealthiest family, teaches in a mountain village. During a patriotic lesson, a video of the Jovian invasion terrifies Vivian Smith—her father's fiancée—and her son, born to a Jovian spy. Seeing him cry, Vivian, blinded by anger and guilt, humiliates Phoebe. Only when she realizes that Phoebe is Alfred Green's daughter does regret hit.

For his dad's surgery, Leo tried every means to collect $20 thousand. But his wife, Ruby, took it to pay her brother's debt. Desperate as Leo was, the Whoever You Help Gets Screwed System was activated for him. Leo could take the fortune of the person he helped. Having no choice, Leo decided to use the system to teach Ruby and her family a lesson...

After surviving hell on earth for fifteen years, Claire Jordan returns home for revenge, only to find her father, Tyler, was beaten and cast out by his own mother, and her mother was forced into bearing Tyler's cousin's son. With no clear target for her rage, she must uncover the real villain and protect the very parents she once wanted to destroy.
![[ENG DUB] Love Found After the Sentence Ended](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Framed and imprisoned for five years, Wendi gives birth to a daughter behind bars. With no one else to protect little Nina, she sends the 4-year-old to find the father she has never met. Newly returned billionaire heir Collin is stunned when a little girl runs up and calls him Dad.

Framed and imprisoned for five years, Wendi gives birth to a daughter behind bars. With no one else to protect little Nina, she sends the 4-year-old to find the father she has never met. Newly returned billionaire heir Collin is stunned when a little girl runs up and calls him Dad.

The little girl, Molly Foster, carried a small basket full of herbs to brew medicine for her mother. But her grandfather scolded her for wandering around outside, asking her not to cause trouble for her father, who was in the army. At that moment, Molly's mother started coughing up blood. Molly asked her grandfather to get a doctor, but he rejected and scolded her again before leaving. As her mother was dying, Molly found the note her father left her 3 years ago and decided to take her mother to the army camp to find him for treatment. They arrived at the camp gate, and Molly believed that she would finally find him to cure her mother.

Grace chooses mahjong over her granddaughter, leaving Coco in the kitchen. Coco manages a brief call to her mother Rita before her smartwatch dies, during which Rita senses something is wrong. Desperate, Rita repeatedly calls her mother-in-law, but the noise of the mahjong table drowns out her calls. She then contacts her husband Leo, only to be dismissed while he is with his first love. By the time Rita finds Coco, the child has succumbed to gas poisoning. Leo refuses to accept the tragedy born of neglect and misplaced loyalty until he sees Coco's portrait at the funeral home.