

Hera has been abused by her step father for a long time, until she enters the art department of Ston College and meets her classmates Brad and Yoanna. The three of them become good friends by chance. Brad and Yoanna's care for Hera makes her gradually feel the beauty of freedom and gives her the idea to rebel against David and break through the ball cage. But freedom is not easy to come by, and Hera pays a painful price for this new life...
![[ENG DUB] Love Found After the Sentence Ended](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Framed and imprisoned for five years, Wendi gives birth to a daughter behind bars. With no one else to protect little Nina, she sends the 4-year-old to find the father she has never met. Newly returned billionaire heir Collin is stunned when a little girl runs up and calls him Dad.

When Lynn died, Minna's father met a tragic end at the hands of her half-sister, who shoved him off a high-rise building in front of her own eyes. The man Minna loved most, Ethan, was the one who personally ensured her imprisonment. Enduring three years of torment behind bars, Minna was left shattered by Ethan's parting words: "Take good care of her." Determined to reclaim all that was lost, Minna emerges from her incarceration, vowing to restore what was taken away.

Jane Arnold was imprisoned on her wedding day after being falsely accused of killing Francis Wooten's sister Jennifer Wooten. Jane gave birth to her daughter Bunny in prison. Years later, Bunny reunites with Francis but faces harassment and schemes from Francis' admirer, Sonia Thompson. By chance, Bunny meets her mother Jane Arnold, who now goes by Jean Smith. Mother and daughter work tirelessly to uncover the truth and clear their names, discovering that Sonia was the real killer. However, Sonia kidnaps Bunny. To save her daughter, Jane must agree to Sonia's unreasonable demands, but Sonia secretly plans to kill them both. Fortunately, Francis arrives in time to save the mother and daughter.

I was pregnant, and when I went to a private club to have Ronan sign the divorce papers, he was tangled up with his mistress, Molly. Under Ronan's coercion, I drank the wine Molly handed me. But what I didn't expect was that Molly had slipped an abortion-inducing pill into the drink. I collapsed, yet Ronan left with Molly in his arms. "I'll bring in the top medical team to save the baby." he said. "Ronan, there are only eight days left on the marriage contract. We will never meet again in this life." I replied. But Ronan didn't hear me—he was too busy answering Molly's call. Fortunately, my baby survived. Eight days later, I returned to my grandfather's farm with my child, severing every last tie to Ronan. Just when I thought life would settle down peacefully, Ronan knelt at my doorstep.

To cover for her boyfriend, Nora Stuart admitted to killing someone in a car accident, and she was sentenced to three years in prison. One day, a man found Nora and wanted her to donate her blood to his grandson, Eric Finch. Nora accepted this deal to get out of jail early, but only to find out her boyfriend had been cheating on her with his boss. Feeling heartbroken, Nora agreed to marry Eric Finch.

Aria Vale loves her idol Noah Rivers so completely that his fictional death feels like a personal injustice. Then she blinks and finds herself inside the novel, in a world where the cities are overrun and the story is already in motion. Reinventing herself as a mysterious talent manager, she finds the boy before anyone else does and helps him become exactly who he was supposed to be, rewriting the ending she couldn't accept. Her phone knows what's coming, which helps. What she doesn't account for is how quickly depending on each other becomes something neither of them has a word for.

Three years ago, I drugged the mafia heir, Vincent. After that one wild night, he didn’t kill me. Instead, he fucked me until my legs went weak, gripping my waist and whispering the same word over and over: “Principessa.” Just as I was about to propose, his first love, Isabella, returned. To keep her happy, Vincent let a car hit me, had my mother’s heirlooms thrown to stray dogs, and sent me to prison… But when I was finally broken, flying to Boston to marry someone else, Vincent tore New York City apart to find me.

Henry Saber's wife finds herself imprisoned—literally—and tortured by his own hands, leading her to give up on their relationship and leave him. However, Henry refuses to let her go, declaring that if she chose to stay by his side, she will stay with him for the rest of her life...

My wife made me get a vasectomy. Not once, but ninety-nine times. Right before the hundredth operation, the doctor looked at me with pity in his eyes as the anesthesia failed to fully kick in. "Ms. Gibson really knows how to destroy a man," he murmured. "She's put him through ninety-nine vasectomies, then had them reversed—again and again. However, his body's long since broken. There's no chance of children now." "It's probably for her ex. Word is, it's his own brother. The scandals in these wealthy families—unbelievable." Because of a hospital mix-up at birth, my and Jeff Cunningham's fates were exchanged. He grew up with the Cunningham family, while I lived a poor life. Years later, my parents found the truth, taking me in and sending Jeff away. To make things worse, I became Wynnie Gibson's new fiancé. I once asked her, barely able to speak through the pain, why she would marry someone she did not love. She looked at me calmly. "To get revenge," she said. "You came home and stole Jeff's place. He was the one I love. He drank himself to death after you returned." Even my biological parents knew she was poisoning me. However, they turned a blind eye. They did nothing to stop her. They knew Wynnie had got pregnant with Jeff's child through IVF—planning to raise the child and let him inherit the family fortune. I coughed up blood and threw myself into the sea. When I opened my eyes again, I was back on the day I was first reunited with them. This time, when I saw the sorrow in their eyes—sorrow not for me, but for the son they lost— I chose to let them go.