

Eliana, the daughter of the Elliott family, plans to get pregnant to reclaim her mother's company. At an exclusive club, she sets her sights on Keaton Massey, unaware he's a billionaire tycoon in the city. After Keaton gets into a car accident causing amnesia, he and Eliana accidentally begin a relationship. In truth, Keaton had been deeply in love with Eliana for years. While concealing his recovered memories, he helps Eliana reclaim her mother's company. As their feelings deepen, they fall in love and eventually welcome triplets together.

Jodie Walsh finds herself transmigrated into a romance novel as the ex-wife who got screwed over. The original character spent five years in an arranged marriage with a CEO tyrant, giving him everything—money, property, her whole heart—only to end up with her family destroyed and herself behind bars. And it gets worse. Her parents, best friend, childhood friends, and basically everyone connected to her was just cannon fodder in the story. Well, time for Jodie to roll up her sleeves and rewrite this mess. Mr. Hotshot CEO? She's going to see how mighty he is after bankruptcy. The pure, innocent female lead? Honey, let's add some darkness to that light. Her parents jumping to their deaths? Not in her version. They'll be doing the disco on her ex-mother-in-law's grave instead. Her bestie killed by her abusive husband? Hmm... such a "wonderful" husband. Let's save him for the female lead's bestie. Her broke aristocratic childhood friends? Here, one business opportunity each, and boom, instant CEOs, easy peasy. And the supposed villain? With that face and those abs? No one's going to object to him being the male protagonist. What's that? You're asking what makes her so badass? Jodie beckons to the mafia boss. "Babe, you tell them." "Simple." Mafia boss grins. "She's the boss lady."

"body of a woman who shares her exact name. In this new life, her father died in battle long ago, and to secure their place within the powerful Calud family, her mother raised her as a boy from birth.As Morgan grows older, she is torn between her longing to reclaim her true identity and the constant fear that discovery would bring death upon both her and her mother. Determined to escape this dangerous double life, she plans to flee with her mother before the truth can be exposed.But her plans are derailed when she catches the attention of Shane Burke, the ruthless and immensely powerful prince of a different royal line in the Aetheria Empire. Taken into his residence against her will, Morgan is forced into a perilous game of wits and survival, where one wrong move could cost her everything.

Audrey Blackwell from the Republican era unexpectedly transmigrates into the body of a nine-year-old girl in the modern world. Finding the once-prestigious Blackwell family now in decline, the ancient ancestor becomes the family's young matriarch. Using her vast network of connections from her previous life, she begins rebuilding the family empire and restoring it to glory.

In his past life, Harrison Cowan abandoned his own daughter for a widow, raising her two sons instead. In his old age, when he fell ill, his adopted sons refused to even pay a mere hundred thousand for his surgery. Given a second chance at life, Harrison is determined to make amends. No longer willing to play the role of a stepfather, he vows to work hard, make money, and devote his life to raising his biological daughter, living only for her from now on!
![[ENG DUB] Sorry, I Don't Do Tragic Endings Anymore](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
Zoey Shaw wakes up inside a novel as the infamous villainess doomed to a tragic end.Refusing to follow the same path, she decides to rewrite her fate—no self-destruction, no foolish choices, just survival and a new beginning. When a shameless ex and a scheming rival show up to cause trouble, she’s ready. This time, she protects her husband, claims her happiness, and crushes every plot against her. She clears her family’s name and rises from ruin to glory.

On his 16th birthday, Yves lost his birth mother and stepfather in an accident, and by a twist of fate, began living with his stepfather's daughter, 22-year-old Willow, who became his guardian. As their life under the same roof unfolded, Yves, now 18, gradually realized his growing feelings for Willow—but before anything could begin, she sent him away. Four years later, they meet again: Yves is now a rising star, while Willow runs a quiet café. Destiny has brought them back together.

As a successful businessman, John Chandler had many regrets. A bullet he fired as a teenager struck him between the eyes years later, when he became a middle-aged man.Exhausted both physically and mentally, he had an accident and was brought back to 2008. That year, he was in the 12th grade. After he was reborn, John realized the meaning of life. He let go of his pursuit of material wealth, embraced life, and devoted his time to what really mattered.Later, he became the world's most famous angel investor, a figure on the world's rich list, a godfather of the financial industry, and a leading expert in the medical field.In an interview, he said, "You can never have both youth and the wisdom to cherish it at the same time."

In Part Two of GoodChat, Alexa Reddy and Fulop Budavari turn up the fun with games that test their quick wit and sense of humor: from decoding movie titles using only three emojis to a hilarious round of “Kiss, Marry, Kill” featuring Alexa’s former co-stars. The laughs soon give way to reflection as Alexa opens up about her passion for acting, the lessons she’s learned, and the heartfelt advice she’d give her younger self.
![[ENG DUB] Seven Years and a Closed Door](https://acfs3.goodshort.com/dist/src/assets/images/pc/common/f901131c-default-book-cover.png)
For seven years, Kelsey Dale ran a business empire from the shadows and called herself a housewife. She gave up her name, her position, and eventually her health to prop up a husband who needed her more than he admitted, including nursing him through a near-fatal illness with everything she had. On the day their infant son turns one hundred days old, Gaige Hamilton walks through the door with his mistress and their child, backed by his parents, and offers Kelsey a choice: accept them under her roof and keep managing the household, or leave without her son. Seven years. That is what they thought they were owed.