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41.1K Views7.9K Favorites34 Full EpisodesAvailable in 4 Languages

The end of the world was upon us, but there weren't enough spots for evacuation. The roars of the zombies echoed in my ears as my fiancé, Oliver, gritted his teeth and pulled me onto the rescue vehicle—securing the last available seat. I arrived safely at the survivor base. Lina, his first love, did not. The zombies tore her apart. Oliver still went through with our marriage, but I never expected that he had only done so to make me suffer. In his eyes, I was the one who had killed Lina. If she had to endure such agony, then I should, too. For five years, he hated me. My life was worse than that of a stray dog scavenging for food on the street. On the day my divorce was finalized, he kidnapped me, dragged me into the wilderness, and wrapped his fingers around my throat. Then, he threw us both into the swarm of the undead. When I opened my eyes again, I was somehow reborn on the day the apocalypse began. The rescue team was shouting impatiently, "One more! We have room for one more—hurry!" I turned to Oliver, watching his hesitation. Then, with a quiet smile, I took a step back and let someone else have the last seat.

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Ethan Shaw was once just an ordinary security guard in Grayhaven. At 26, he had never even held a woman's hand. When the zombie apocalypse broke out, he managed to survive for only 12 days before being torn apart by the undead. Then fate reset everything. Given a second chance, Ethan awakened the Apocalypse Convoy System, a power that grew stronger every time he saved a beautiful woman. As civilization collapsed and human nature turned darker by the day, Ethan built a convoy where survival, desire, and rewards became inseparably linked.

86.3K Views4.7K Favorites5 Full EpisodesAvailable in 12 Languages

Jackson Tiller and Emily Gateley break down the chaos of filming the viral show "Uncle Richard Is My Baby Daddy," sharing behind-the-scenes stories, on-set chemistry, and the wild ride of acting for vertical TV. Raw, funny, and unfiltered—this is where drama meets real talk.