actors who always play bad guys

Liam Wayne is minding his own business when the apocalypse arrives and drops his entire residential complex, Greenhill, into a monster-infested forest with no warning and no exit. He awakens a survival system almost by accident, unlocks a point exchange store and the ability to merge spaces, and makes a choice that surprises even himself—he is not leaving anyone behind. He pulls together an unlikely team, a motorcycle queen, a firefighter built like a wall, a surprisingly lethal young girl, and more, exchanges system points for weapons and supplies, and turns a community of ordinary neighbors into something that can actually fight back. Seven days of relentless undead waves.Internal betrayals from the selfish and the desperate. And through it all, the quiet stubborn solidarity of people who decide that survival means nothing if they do it alone. Liam leads them through every wave, every threat, every knife in the back, and carves a path out of the wasteland for every last one of them.

On her coming-of-age day, Leah Judd, Crown Princess of Valia, awakens in the body of an eight-year-old in the modern world—the real daughter who was switched at birth.Neglected while the fake daughter stole all love, she starved to death. Furious, Leah smiles coldly. If her father is unloving, she'll find another—one scorned as useless. After all, she's a princess. Turning a wastrel into a legend? Child's play.

After Reanna lost her parents, Stefan Shawn became her guardian. Though feared by many for his ruthless nature, Stefan had one exception—Reanna. He indulged her every whim, once declaring, 'Nothing comes before my girl.' Even when she stirred up trouble or picked fights, Stefan would only smirk with pride and say, 'That's my Reanna, my rose.'

"I never meant to betray my husband. But when you’re running for your life and trapped between your two forbidden stepsons — one whose body burns like fire, the other whose darkness pulls you under — resistance becomes impossible. On horseback, on a storm-tossed boat, and in a rattling night train with Damien sitting right there… I let them touch me. I let them ruin me. And worse — I started wanting it. Needing it. Now I’m just kilometers away from safety, yet I know I’m already completely lost. Because the woman who arrives at that safe house won’t be Damien’s loyal wife anymore. She’ll be her stepsons’ filthy, willing whore."

Remus Saxon wakes to find himself transmigrated into a female-oriented novel as the wastrel heir. On his wedding night, he's betrayed by his fiancee's affair with his cousin, pressured by the main branch, and the entire family demands he swallow his humiliation. Just then, his Playboy Redemption System activates.Remus flips the table and refuses to comply, delivering fair and equal slaps to every enemy's face.

Master thief Mia disguises herself as an ugly duckling to rob wealthy men on dating apps. But one stolen watch lands her in an underground brothel, where desperate millionaire Michael offers her a deal: help him secure a dangerous business partnership and he'll set her free. Their target? John Stevenson - the psychotic husband of Mia who she ran away from. Stevenson murdered her parents and thinks she's dead. Now Mia must choose between running forever or finally fighting back against the monster who destroyed her life.

In this episode of GoodChat: Adult Questions with Little Kid Logic, actors Faith Orta, Volodymyr Pielikh, and Sophie Leflèche share their acting journeys, reflect on their experiences working on our vertical dramas, and give a behind-the-scenes look at bringing their characters to life. The conversation mixes heartfelt insights with playful energy as the trio answers grown-up questions using little-kid logic, making for a fun, fast, and entertaining episode you won’t want to miss.

Traveled into an interstellar shifter novel as the hated villainess! Bound to a dating system, Queena has to romance 6 hostile commanders to survive. She just wants to earn points to peace out and live the high life, but all 6 guys fall hard. Now they're blocking her door, yelling: "You romanced us and dipped? What about us?!"

Under his disguise as an ordinary odd-job worker, Hugh Lane suffered unending humiliation and witnessed the good, the bad and the ugly of mankind. Now that he had been restored to his former formidable identity, he vowed to make everyone who once humiliated him grovel at his feet!

Freddie, a young hunter from Fountain Village, is honest and handsome in appearance, extremely strong, and his only desire is to marry and form a happy family. However,he is notorious for his ferocity—having killed a tiger one day and a wolf the next. Everyone avoids him due to his bad temper, except Hannah, a woman who traveled through time from the modern era, who is eager to marry him.

.On the day of my prenatal checkup, I found out my husband Don had booked me a termination surgery instead of a postpartum care package. I thought he had placed the wrong order and was about to tease him, but Vincenzo spoke flatly. "I didn't book it wrong. I need to come clean with you about something." "I've been keeping another woman. She's a good girl. She doesn't want a title or to take your place as Donna." "But she got pregnant recently. I've already made her suffer enough. I can't let her child suffer too. I have to give the child the Moretti family name." I froze on the exam table, my voice shaking uncontrollably. "Then why did you abort my child?" He wiped the ultrasound gel off my belly and smiled. "I just want you to adopt Giuliana's child. I'm having yours terminated because I'm afraid you'll play favorites and treat her kid differently." He handed me the consent form, calm and composed. "I promise you will always be Donna. No one will ever take your place." I gave him a long, hard look, then was wheeled into the operating room. "Never mind." "Vincenzo Moretti, you're going to regret this every single day for the rest of your life." He didn't know it, but I was the only woman in the world who could ever give him a child.

Over the past few years, Xena had been working hard to earn money, allowing her son, Leon Cale, to attend college. Leon promised to take his mother to the city to live once he got into college. Ten years later, Leon achieved great success and forgot about his mother who lived in the village, forgetting about his own humble beginnings. This play carries a profound positive energy, showcasing the greatness and selflessness of a mother's love. It also serves as a reminder to the audience to never forget gratitude and to cherish the silent sacrifices of their mothers.

My dad called me right after I got paid. He said my little brother needed money for school, Grandma had medical bills, and there was still the rent, water, and electricity. Then, at the end of the call, he admitted he’d lost money gambling. I sat in the security booth, rubbing my bad leg, completely lost for what to do. A car horn blared, and I quickly raised the security bar. Just one look and you could tell how expensive the car was. It belonged to the boss, who had a thing for amputees. Damn it.

My dad called me right after I got paid. He said my little brother needed money for school, Grandma had medical bills, and there was still the rent, water, and electricity. Then, at the end of the call, he admitted he’d lost money gambling. I sat in the security booth, rubbing my bad leg, completely lost for what to do. A car horn blared, and I quickly raised the security bar. Just one look and you could tell how expensive the car was. It belonged to the boss, who had a thing for amputees. Damn it.

Zoey Devro transmigrates into a novel she already knows the ending of, which is bad news, because she lands as the sidekick to the villainess. In this story, the villainess Elaine Luke ruins everything and takes everyone around her down with her, sidekick included. Zoey has absolutely no interest in that ending. Armed with a system that tasks her with correcting the villainess' worst impulses, she attaches herself firmly to her difficult employer and starts quietly steering the ship. Scheming men get exposed, bad decisions get intercepted, and the villainess slowly becomes someone worth following. Zoey, meanwhile, is building her own empire on the side. She came as a footnote. She is leaving as the whole story.

At the party for our first wedding anniversary, I hit the floor—face-first on a red carpet, gasping like a fish out of water. Carlo Pipino, my husband, had his arm draped around Gianna Verde, his childhood flame, sipping champagne and laughing. Gianna knew I was allergic to nuts. So, obviously, she bathed everything in hazelnut dressing. One bite and boom—my throat locked, my lungs lit up, and hives popped like confetti. I reached for my allergy meds—came up with a fistful of melted M&Ms instead. Gianna laughed when she saw my face. "Surprise! Carlo swapped your meds. Seriously, Siena, one nut? Dramatic much?" I slid off my chair, wheezing, while the crowd placed bets on how long my "performance" would last. "Carlo... my meds..." I croaked. "Please. I'm gonna die." He sighed, annoyed. "God, you're so dramatic. Why do women always play dead for attention? You know I love you. Just stop this show already." Right then, my heart shattered faster than my lungs could. I stopped begging. Hit the distress signal. Called my real family.

Zoey Devro transmigrates into a novel she already knows the ending of, which is bad news, because she lands as the sidekick to the villainess. In this story, the villainess Elaine Luke ruins everything and takes everyone around her down with her, sidekick included. Zoey has absolutely no interest in that ending. Armed with a system that tasks her with correcting the villainess' worst impulses, she attaches herself firmly to her difficult employer and starts quietly steering the ship. Scheming men get exposed, bad decisions get intercepted, and the villainess slowly becomes someone worth following. Zoey, meanwhile, is building her own empire on the side. She came as a footnote. She is leaving as the whole story.

Jess Willis gets sucked into a novel set in the 1980s where she's the villainous ex-wife of a disabled big shot who dies early. She's stuck with a "villain system" that says she has to stir up drama and be awful to everyone before she can go home. Jess's like, "Play the villain? Hell no!" But then she's like, "Actually, you know what? Villains have way more fun!"She rolls up her sleeves and starts living her best chaotic life—except she doesn't know her whole family can hear her thoughts. The family grows closer than ever, and even her disabled husband recovers and becomes completely devoted to her!